Recent arrivals and highlights

“Œnological Instruments of Precision,” from the firm of Dujardin-Salleron, c. 1902-1934

The Rosetta Stone for Mutel’s Poetics of Acid Etching.

The program for the Jerusalem Prize, June 1999. DeLillo's acceptance address--signed by the author.

Philippe Grandjean’s Romain du Roi typeface, from the original plates

“My Way is the generic title given to the first Acide Brut Action.” -the artist.

Two Influential Legal texts of the late 16th century (1595-1600), bound in one volume

A sammelband (1807-26) of exceedingly rare and ephemeral titles honoring: François Joseph Talma (1763-1826): France’s leading dramatic actor of the early 19th cen.:

Didier Mutel's homage to John J. Audubon’s extraordinary Birds of America

One of Mutel's most delicate works, illustrated with abstract anthropomorphic figures reminiscent of the surrealists so admired by Ponge.

R217A reproduces the text of the United Nations Resolution 217A, the Universal Declaration of the Rights of Man, made December 10, 1948, which was ratified by the UN General Assembly in Paris by 58 member states.