The Birds of Acid is a response to John J. Audubon’s extraordinary Birds of America. In this work Didier Mutel reinterprets, in his own way, this monument in the history of engraving and printmaking.
An annotated copy of the first textbook on differential calculus, with a dozen pages of annotations and corrections by a skilled mathematician, written in a neat legible hand.
The first edition of Parent-Duchâtelet’s ground-breaking and influential study: Prostitution in early 19th century Paris: read by Balzac, Dumas, and Sue.
This nearly comprehensive collection of works by an internationally recognized, provocative social commentator and contemporary humorist speaks to the place of artistic expression and the importance of the freedom of the press in contemporary society.
Melencholia II, III, IV (2021) by Didier Mutel and Nicolas Bardey, is a collaborative response to Melencholia I (1514), a copperplate engraving by the German artist Albrecht Dürer, which they present here in a series that combines engraving and serigraphy.
This nearly comprehensive collection of works by an internationally recognized, provocative social commentator and contemporary humorist speaks to the place of artistic expression and the importance of the freedom of the press in contemporary society.
Edition of 13 signed & numbered copies. 28 x 37 cm (slipcase); 25 x 36 cm (book). 26 leaves. Begun in Rome (Italy), 2018; Helsinki (Finland); and Weimar (Germany), completed November 2020.
