Didier Mutel

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Atelier Didier Mutel

Founded in 1793, ATELIER DIDIER MUTEL is the oldest etching studio in France.  From a historical and artistic point of view it represents centuries of knowledge and a very high level of handcraft production. The studio is well recognized in France and abroad.

The studio is highly specialized in traditional etching and printing processes, from conceptualization through to the final execution. Through very specific projects the workshop mixes traditional techniques and skills with contemporary techniques. The aim is to reopen the artistic field of etching and to carry on very challenging projects.

Didier-pressDidier Mutel apprenticed to the studio in 1988, joining there his master Pierre Lallier who ran it from 1968 to 2008. The studio moved from Paris to the Jura and after 5 years of renovation and its grand opening took place in 2014.

DIDIER MUTEL has been producing artists books and engravings since 1989.  Born in 1971, he entered the Ecole Estienne at 15, then studied at the Ecole Nationale Superieure des Arts Decoratifs in Paris, and continued his studies at the l’Atelier National de Création Typographique à l’Imprimerie Nationale. From 1997 to 1999, Didier Mutel was in residence at the Villa Medici in Rome where he produced two collaborative books. In 2008, the Atelier Georges Leblanc closed, and Pierre Lallier transfered a significant portion of the historical equipment to Didier Mutel. In 2009, Didier Mutel purchases space in Orchamps in the Jura, where he reinstalled the workshop.  Didier Mutel, Forbes Simulachres

Since 2003 Mutel has been teaching at the Institut Supérieur des Beaux Arts of Besançon and is regularly invited by American universities for presentations and special courses.  ATELIER DIDIER MUTEL is a Member of the Grands Ateliers de France, and in 2013 Didier Mutel received the prestigious title of Maître d’art. 

R217AMost recently, he was awarded the Prix Liliane Bettencourt pour l’Intelligence de la Main, a juried prize for “exceptional talent” that recognized his latest book, R217A (2016), as a work “resulting from a perfect mastery of techniques and savoir-faire of artistic craft” as well as demonstrating “innovation, and contributing to the evolution of this knowledge.”

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